Surreal thriller written and directed by Ryan Gosling. In an abandoned town, single mother Billy (Christina Hendricks), who is struggling with the expense of her home and two sons, begins work at a nightclub run by her sinister bank manager Dave (Ben Mendelsohn). She soon discovers that employees are encouraged to engage in sadistic acts for the customers' viewing pleasure and she must develop her own unique performance with help from star performer Cat (Eva Mendes). Meanwhile her teenage son Bones (Iain de Caestecker) develops an infatuation with neighbour Rat (Saoirse Ronan) who lives next door with her mute grandmother (Barbara Steele). Rat introduces Bones to a mythical underwater town at the bottom of a resevoir that the pair yearn to explore after escaping the clutches of neighbourhood tormenter Bully (Matt Smith).

Philip Seymour Hoffman, Christina Hendricks, Richard Jenkins and John Turturro star in this comedy drama directed by John Slattery and adapted from the novel by Pete Dexter. In the 1970s in the working-class town of God's Pocket, troubled 20-something Leon (Caleb Landry Jones) is seemingly accidentally killed on a building site. At the request of Leon's mother Jeannie (Hendricks), who is convinced there was some foul play, her husband, small-time criminal Mickey Scarpato (Hoffman), investigates the death with the help of his friend Arthur 'Bird' Capezio (Turturro). Meanwhile, the well-known journalist Richard Shellburn (Jenkins) is also searching for the truth behind the incident and gets close to Jeannie in the process.

Fifth film in Disney's animated adventure series following Tinker Bell and her friends.

Lured by its magic powers, dust-keeper fairy Zarina steals the Blue Pixie Dust and joins the Skull Rock pirates who make her their captain. Without the dust Tinker Bell and her friends - Silvermist, Vidia, Iridessa, Rosetta and Fawn - will lose their ability to fly.

The fairies embark on a race against time to bring it back to Pixie Hollow but when Zarina switches their unique talents, their journey only becomes more challenging.

Presenting new and important scholarship in feminist language theory, this book addresses issues within diverse traditions, bringing together feminist positions, strategies, and styles in an original way. Gathering together authors with different backgrounds and methods, Language and Liberation puts this diverse scholarship into dialogue.

The questions and concerns reflected in these essays are presented within the context of their historical background, provided by the editors' comprehensive Introduction. These questions include: Is there a distinction between "female" and "male" language? What is the relationship of feminine/feminist identity to language? What is the value of metaphor for feminist theory and practice?